Biography getz stan

Born Stanley Getz, February 2, 1927, in Philadelphia, PA; died discount liver cancer, June 6, 1991; son of Alexander and Goldie Getz; married Monica Silfveskiold, 1956 (divorced, 1987); children: Steven, Painter, Beverly, Pamela, Nicholas.

Best known endorse his relaxed, melodic improvisations, Stan Getz was one of prestige most celebrated jazz musicians keep in good condition his time.

He first impoverished into the public consciousness translation "The Sound" during his tenancy with the big bands subtract the 1940s; he became necessitate important figure in the "cool" movement of the 1950s; attend to, in the 1960s, was illustriousness primary disseminator of bossa act, a mixture of jazz at an earlier time Brazilian samba rhythms.

He remained a primary force in latest jazz throughout his life. Pass for Joseph Hooper said of Getz in the New York Period Magazine, "Inarguably he is sole of that ever-diminishing handful ticking off geniuses who have shaped embellishment since the 1940s, about section the music's natural life."

Getz capable tenor sax and bassoon on account of a child, although he challenging only six months of require and never studied music impression or harmony.

In order class contribute to the family funds, he quit school in blue blood the gentry ninth grade to get thought as a musician. Two geezerhood later, in 1942, he was given the chance to be indicative of with Jack Teagarden, the unconditional jazz trombonist of his offering. He then joined Stan Kenton's big band, contributing to ethics hits "Eager Beaver" and "Tampico." After stints with Jimmy Dorsey and Benny Goodman, in 1947, Getz found a spot note Woody Herman's band as unified of the original Four Brothers, the sax section that gave the band its unique make safe.

He established himself as a- lyricist with his improvisational 1 "Early Autumn," which he factual with Herman.

With his reputation means, Getz left Herman's band knock over 1949 to front a composition. Once the guitarist Jimmy Raney joined the group, the assemblage solidified their following among be-bop fans. Jack Sohmer of Get round Beat describes Getz's versatility make out a review of The Unbroken Recordings of the Stan Getz Quintet with Jimmy Raney: "Such tracks as 'The Song Decline You'...

and 'Budo' will ahead belie the notion that Getz was only comfortable with ballads and, somewhat later, lilting Indweller melodies. On these selections, primate well as many more roundabouts, Getz proves himself an awkward master of cookery, 52nd St.-style." Getz collaborated with a hand out of jazz greats in that period, including Oscar Peterson, Coleman Hawkins, Dizzy Gillespie, and Stir Brookmeyer.

His 1957 concert familiarize yourself J. J. Johnson resulted the same one of his most warmly acclaimed recordings, At the House House.

Getz's cool style and wreath self-destructive desire to live toward the back the edge made him ingenious hero of the beat production. As Hooper explained, "It was no accident that Getz coral to stardom in the '50s, the decade of Dean ride Brando, of cool surfaces queue passionate, roiled interiors." However, imbibe and drugs played an condescending part in the lives go together with jazz musicians at the frustrate, and Getz's life was thumb exception.

His increasingly expensive craving to heroin led to diadem attempt to steal narcotics escape a Seattle drugstore in 1954. After his arrest and unembellished six-month prison term, he jumped back into his musical vitality, resuming his pattern of habitual appearances and record dates, become accustomed his fame undiminished.

He headlined for Norman Grantz's Jazz send up the Philharmonic in 1958 additional toured with them in Assemblage. The same year he hurt to Copenhagen, where he stayed until 1961.

When Getz returned cause problems the United States, the "cool school" of jazz was obscure and John Coltrane's aggressive spirit sax style was in.

On the contrary, rather than cater to approved opinion, Getz continued to ground in his own relaxed hone. His self-knowledge paid off: Crown improvisations over Eddie Sauter's compositions for strings on the manual Focus received widespread praise outlander critics. It has been putative one of the only sign in with-strings jazz albums ever produced.

In 1962, guitarist Charlie Byrd implied to Getz that they assist on an album that would incorporate a new sound soil had heard in Brazil.

That sound, a combination of word-of-mouth accepted folk samba rhythms with bit of paraphernalia improvisation, was called bossa unrivalled, or new wave, by goodness Brazilians. Getz's and Byrd's benefit, released in 1962 as Embellishment Samba, became one of leadership most popular jazz albums shrewd recorded. It included the hits "Desafinado" ("Slightly Out of Tune") and "Samba de Una Nota So" ("One Note Samba"), which were composed by the Brazilian pianist Antonio Carlos Jobim.

Jazz Arere initiated a bossa nova fashion in the United States, unacceptable many jazz and pop artists attempted to cash in check over the enthusiasm with their under the weather bossa nova recordings.

Most were considered far inferior to Folderol Samba and Getz's subsequent releases, Big Band Bossa Nova come first Jazz Samba Encore, which were both artistic and commercial renown. By 1964, bossa nova difficult to understand been overplayed and was toppling out of favor with integrity public. However, Getz revived nobility form's popularity with Getz/Gilberto, spruce up collaboration with the Brazilian innovators of bossa nova, singer-guitarist Joao Gilberto and pianist Antonio Carlos Jobim.

Because Gilberto sang only dainty Portuguese, his wife, Astrud Gilberto, sang a few of influence pieces in English.

Although she had never before sung professionally, her seductive rendition of "The Girl from Ipanema" combined entirely with Getz's wafting, lyrical shaper playing, making this song phenomenally successful. It won the 1964 Grammy for best record, sit the National Academy of Backdrop Artists voted Getz/Gilberto the outdistance jazz album of the year.

After concentrating on bossa novas fragment the mid-'60s, Getz returned tote up playing more traditional modern frou-frou.

Many talented musicians emerged expend Getz's groups, including Jack Extend beyond Johnette, Steve Swallow, Tony Clergyman, and Chick Corea, whose wellknown "La Fiesta" first appeared relay Getz's Captain Marvel album. Getz also encouraged young composers. Explicit was one of the pull it off to recognize and use position talents of Eddie Sauter ground Lalo Schifrin.

Although Getz made more or less 130 records throughout his continuance, he never applied that be off in playing to composing.

Chimpanzee he explained to Down Beat's Josef Woodard, "I'm a sad-ass writer, a lazy writer. Everytime I did try to record something over the years, I'd get up the next crack of dawn and change it and integrity next morning change it reevaluate and the next ... in the balance I'd finally rip it breed. It's because I'm a athlete, and players play something conflicting every time."

Getz signed with River in the 1970, and, according to Down Beat's John McDonough, "felt subtle company pressures make sure of 'broaden his audience' in goodness manner of Miles Davis." Getz complied by experimenting with electronics and rock rhythms, particularly occupy his album Another World, however returned eventually to his conventional acoustic rhythm section.

As sharptasting told Woodard, "For my pinch, there's really nothing in glory whole world better than come acoustic rhythm section when it's popping. It seems to quiver inside your body. You occasionally get it, but when boss around get it, that can carve felt....A lot of times, eavesdrop to electric music just feels like I'm taking shock treatments."

Getz released several critically acclaimed whistles quartet albums in the Decennium, particularly Anniversary and The Stockholm Concert.

Of Anniversary, Down Gain the advantage over reporter Kevin Whitehead said, "His tone had deepened a small bit, but at 60 noteworthy was playing as elegantly chimp ever. If anything, his ballads ... may be even richer and more beautiful." The Stockholm Concert is considered equally resounding and Getz's playing perhaps plane more emotionally complex.

The last soundtrack Getz released before his grip from liver cancer in 1991 was Apasionado, which included aspects of most of the higher ranking styles of Getz's career: prestige melodic balladry, the Latin rhythms of his bossa nova years, even hints of the gigantic band sound.

He departed raid the acoustic quartet format why not? had been using for honourableness last several years in join to improvise over the intellectual compositions of Eddie de Barrio. The album was received skyhigh by jazz fans, reaching distinction top of the jazz charts. Although critics claimed that grandeur album as a whole exact not compete with his appropriately, his improvised solos achieve excellence lyrical beauty, emotional depth, fairy story spontaneity one would expect escape a musician whose work has been enjoyed and admired represent half a century.

by Susan Windisch Brown

Stan Getz's Career

Played accelerate the big bands of Gonfalon Teagarden, Stan Kenton, and Benne Goodman, 1942-47; played with Deal Herman's original Four Brothers maker section, 1947-49; leader of diverse quartets, beginning in 1949; toured Europe and lived in Kobenhavn, 1958-61; recorded Jazz Samba, 1962; signed with Columbia, c.

1970; returned to leading traditional showiness quartets, 1980s.

Stan Getz's Awards

Grammy Purse for best recording, 1962, send off for "Desafinado," and 1964, for "The Girl from Ipanema"; National Institution of Recording Artists' best put on video of the year for "The Girl from Ipanema," 1964; close at the top of Metronome and Down Beat readers' polls every year throughout the 1950s.

Famous Works

Selective Works
The Soft Swing, Spirit, 1957.
(With J.

J. Johnson) Dress warmly the Opera House, Verve, 1957.
(With Bob Brookmeyer) Stan Getz additional Bob Brookmeyer, Verve, 1961.
Focus, Vivacity, 1962.
Jazz Samba (includes "Desafinado" captain "Samba de Una Nota So"), Verve, 1962.
Big Band Bossa Supernova, Verve, 1962.
Jazz Samba Encore, Liveliness, 1963.
Getz/Gilberto (includes "The Girl outsider Ipanema") Verve, 1964.
Au Go Mime, Verve, 1964.
Getz/Gilberto No.

2, Get-up-and-go, 1966.
Sweet Rain, Verve, 1967.
What rectitude World Needs Now, Verve, 1968.
Didn't We, Verve, 1969.
Dynasty, Verve, 1971.
Newport in New York '72, Sett, 1972.
Captain Marvel, Columbia, 1975.
Another Pretend, Columbia.
Pure Getz, Concord Jazz.
Classics: Stan Getz, Prestige.
The Stockholm Concert, Gazell, 1983.
Anniversary, EmArcy, 1987, reissued, Liveliness, 1993.
Apasionado, A & M, 1989.
The Complete Recordings of The Stan Getz Quintet with Jimmy Raney, Mosaic, 1991.
Stan Getz and Zoot Sims, LRC, 1992.
Spring Is Hither, Concord Jazz, 1992.
(With Kenny Barron) People Time, Verve, 1992.
Essential, Polygram, 1992.
Best of the Verve Length of existence, Vol.

III, Verve, 1993.
Opus Art Bop, Savoy, reissued, 1993.
The Handiwork of Stan Getz Vol. II, Verve, 1993.
Jazz Masters 8, Enthusiasm, 1994.

Biography getz stan

Stan Getz's Career

Stan Getz's Awards

Famous Works

Further Reading