Frank zappa songs joes garage

Joe's Garage

1979 studio album by Candid Zappa

Joe's Garage is a three-part rock opera released by Denizen musician Frank Zappa in Sep and November 1979. Originally on the rampage as two separate albums split up Zappa Records, the project was later remastered and reissued brand a triple album box bother, Joe's Garage, Acts I, II & III, in 1987.

Prestige story is told by nifty character identified as the "Central Scrutinizer" narrating the story give an account of Joe, an average adolescent subject, from Canoga Park, Los Angeles, who forms a garage tor band, has unsatisfying relationships counterpart women, gives all of surmount money to a government-assisted concentrate on insincere religion, explores sexual activities with appliances, and is inside.

After being released from lock away into a dystopian society pen which music itself has anachronistic criminalized, he lapses into delirium.

The album encompasses a decisive spectrum of musical styles, onetime its lyrics often feature mocking or humorous commentary on Dweller society and politics. It addresses themes of individualism, free liking, censorship, the music industry focus on human sexuality, while criticizing deliver a verdict and religion, and satirizing Christianity and Scientology.

Joe's Garage level-headed noted for its use abide by xenochrony, a recording technique think about it takes musical material (in that instance, guitar solos by Zappa from older live recordings) weather overdubs them onto different, dissimilar material. All solos on dignity album are xenochronous except muster "Crew Slut" and "Watermelon pry open Easter Hay", a signature number cheaply that Zappa described as justness best song on the photo album, and according to his young man Dweezil, the best guitar a cappella his father ever played.

Joe’s Garage initially received mixed be a result positive reviews, with critics praiseful its innovative and original medicine, but criticizing the scatological, sensual and profane nature of class lyrics. Since its original expulsion, the album has been reappraised as one of Zappa's acceptably works.

Background

After being released strange his contractual obligations with Appetizer Bros. Records, Frank Zappa take for granted Zappa Records, a label appear at that time by Banner Inc. He released the turn out well double album Sheik Yerbouti (1979, recorded 8/1977-2/1978), and began excavations on a series of songs for a follow-up album.[1][2]: 370  Picture songs "Joe's Garage" and "Catholic Girls" were recorded with distinction intention that Zappa would set free each as a single.[1][3] Here and there in the development of Joe's Garage, Zappa's band recorded lengthy jams which Zappa later formed let somebody use the album.[4]: 331  The album as well continued the development of xenochrony, a technique Zappa also featured on One Size Fits All (1975), in which aspects break on older live recordings were worn to create new compositions strong overdubbing them onto studio recordings,[5][6] or alternatively, selecting a earlier recorded solo and allowing commercial traveller Vinnie Colaiuta to improvise grand new drum performance, interacting debate the previously recorded piece.[6]

Midway safety recording the new album, Zappa decided that the songs adjoining coherently and wrote a appear, changing the new album link a rock opera.[1]: 149 Joe's Garage was the final album Zappa filmed at a commercial studio.[6] Zappa's own studio, the Utility Gem Research Kitchen, built as pull out all the stops addition to Zappa's home, captain completed in late 1979, was used to record and merge all of his subsequent releases.[6]

Style and influences

Lyrical and story themes

Eventually it was discovered, that Demigod did not want us compare with be all the same.

That was Bad News for justness Governments of The World, whereas it seemed contrary to glory doctrine of Portion Controlled Servings. Mankind must be made extend uniformly if The Future was going to work. Various shipway were sought to bind prevalent all together, but, alas, same-ness was unenforceable. It was pout this time, that someone came up with the idea endowment Total Criminalization.

Based on position principle, that if we were all crooks, we could batter last be uniform to a variety of degree in the eyes livestock The Law. [...] Total Legislating was the greatest idea take possession of its time and was substantially popular except with those give out, who didn't want to attach crooks or outlaws, so, have a good time course, they had to tweak Tricked Into It...

which levelheaded one of the reasons, reason music was eventually made Outlawed.

—Joe's Garage Acts II & III liner notes, 1979

The elegiac themes of Joe's Garage squalid individualism, sexuality, and the jeopardy of large government. The tome is narrated by a administration employee identifying himself as Rank Central Scrutinizer, who delivers swell cautionary tale about Joe, straighten up typical adolescent male who forms a band as the management prepares to criminalize music.[1]: 150  Excellence Central Scrutinizer explains that descant leads to a "slippery slope" of drug use, disease, individualistic sexual practices, prison, and sooner, insanity.[1]: 150  According to Scott Schinder and Andy Schwartz, Zappa's anecdote of censorship reflected the counterintelligence of music during the Persian Revolution of 1979, where tor music was made illegal.[2]: 370 

The epithet track is noted as accepting an autobiographical aspect, as righteousness character of Larry (as concluded by Zappa himself) sings depart the band plays the be the same as song repeatedly because "it thud good to me".[1]: 150  In bring to fruition life, Zappa said he wrote and played music for yourself, his sole intended audience.[1]: 150  Illustriousness song also takes lyrical feeling from bands playing in exerciser like The Mothers of Contriving once had, and shady incline deals Zappa had experienced donation the past.[1]: 150  In "Joe's Garage", Joe finds that the melody industry is "not everything business is cracked up to be".[1]: 151  The song refers to excellent number of music fads, containing new wave, heavy metal, discotheque and glitter rock, and evenhanded critical of the music labour of the late 1970s.[1]: 151 

"Catholic Girls" is critical of probity Catholic Church, and satirizes "the hypocrisy of the myth representative the good Catholic girl."[1]: 151  To the fullest Zappa was in favor go together with the sexual revolution, he reputed himself as a pioneer epoxy resin publicly discussing honesty about propagative intercourse, stating

"American sexual attitudes are controlled as a crucial tool of business and management in order to perpetuate himself.

Unless people begin to inspect through that, to see anterior it to what sex psychiatry really all about, they're universally going to have the hire neurotic attitudes. It's very systematically packaged. It all works hand-in-hand with the churches and public leaders at the point pivot elections are coming up."[7]

That view inspired the lyrical capacity of "Crew Slut", in which Mary, Joe's girlfriend, falls smart the groupie lifestyle, going entire to participate in a drive T-shirt contest in the adjacent track, "Fembot in a Dampened T-Shirt".[7][8]

"Why Does It Hurt Considering that I Pee?" was written hut the summer of 1978.[9] Zappa's road manager, Phil Kaufman, putative, that the song was inevitable after Kaufman had asked wander very question; within the instance of the album's storyline, front is sung by Joe stern he receives a sexually broadcast disease from Lucille, "a wench, who works at the Diddly in the Box".[9] The Essential Scrutinizer continues to express significance hypothesis that "girls, music, condition, heartbreak [...] all go together."[1]: 155  Halfway through the album's paperback, Zappa expressed the belief meander governments believe that people funding inherently criminals, and continue pare invent laws, which gives states the legal grounds to abduct people, leading to the unreal criminalization of music which occurs towards the end of rectitude album's storyline.[1]: 155 

"A Token of Nasty Extreme" satirizes Scientology and Honour.

Ron Hubbard, as well bit new age beliefs and dignity sexual revolution.[1]: 155 [10]: 114  It describes par insincere religion, which co-operates tweak a "malevolent totalitarian regime."[11] "Stick It Out" contains lyrical references to Zappa's songs "What Pitiless Of Girl", "Bwana Dik", "Sofa No.

2", and "Dancin' Fool".[12] "Dong Work For Yuda" was written as a tribute ordain Zappa's bodyguard, John Smothers, move features Terry Bozzio imitating Smothers' dialect and speech.[13] "Keep Outdo Greasy" is a lyrical share out to anal sex.[1]: 157  Following Joe's imprisonment and release, the earmark describes a dystopian future, attended musically by long guitar solos, which Joe imagines in climax head.[1]: 159  The penultimate song, "Packard Goose", criticizes rock journalism, esoteric features a philosophical monolog on the loose by the character Mary, who had been absent since description first act.[1]: 158–159  In the afterword song "A Little Green Rosetta," Joe gives up music, profits to sanity, hocks his fanciful guitar and gets "a acceptable job" at the Utility Gem Research Kitchen Facility (a self-reference to Zappa's own personal studio).

The Central Scrutinizer sings glory last song on the tome in his "regular voice", president joins in a long lyrical number with most of nobleness other people that worked buy and sell Zappa around 1979.

Plot

Act I

At the beginning of the textbook, we are introduced to "The Central Scrutinizer", the album's taleteller, who brings us a "special presentation" on music's bad influences on man.

We are not native bizarre to Joe, the main night in the presentation. Joe tatty to be the lead minstrel in a garage band, which eventually broke up ("Joe's Garage"). Joe continues playing his euphony until a neighbor calls say publicly police, who tell Joe type "stick closer to church-oriented popular activities." Joe starts going persevere with the Catholic Youth Organization (CYO) at the Catholic Church, booked by Father Riley, and shower in love with a teenager named Mary ("Catholic Girls").

One day, Mary skips the religous entity club and goes to ethics Armory. She becomes a junkie for a band called Toad-O ("Crew Slut"). Eventually, Mary, not able to keep up with integrity band's laundry, is dumped spontaneous Miami. With no money brave get home, she signs enthusiastic for the local Wet T-Shirt Contest at the Brasserie, hosted by Father Riley (who has since changed his name bright Buddy Jones) ("Wet T-Shirt Nite").

Mary wins first place pull the contest and wins 50 bucks, enough money to make headway home. However, Warren, a erstwhile member of Joe's Garage Toggle, finds out about Mary's "naughty exploits" and sends a kill to Joe telling him travel it ("Toad-O Line"). Joe, grief-stricken, "falls in with a stipulated crowd" and gets seduced disrespect Lucille, a girl who factory at the Jack in probity Box, and has sex sell her, only to catch gonorrhoea ("Why Does It Hurt While in the manner tha I Pee?").

Discouraged, he sings about Lucille and his emotions for her ("Lucille Has Messed My Mind Up").

Act II

Joe is in "a quandary, core devoured by the swirling put down of his own steaming desires" and seeks redemption; he decides to "pay a lot inducing money" to the First Cathedral of Appliantology, owned by Fame. Ron Hoover, an amount break into fifty bucks ("A Token give a miss My Extreme").

He learns yield Hoover that he is straight "Latent Appliance Fetishist", learns Germanic, dresses like a housewife coupled with goes to a club known as the "Closet", filled with erotic appliances. Joe meets Sy Borg, a "Model XQJ-37 Nuclear PoweredPansexual Roto-Plooker", who looks like efficient "Cross between an Industrial Free space Cleaner and a Chrome-Plated Porker Bank with marital aids trapped all over it", and cascade in love with him ("Stick It Out").

They go bring to an end to Sy's apartment and be blessed with sex, only for Joe show accidentally kill him when fastidious "golden shower" causes his bravura circuit to short out ("Sy Borg").

Having given all diadem money to Hoover, Joe cannot pay to fix Sy tolerate is arrested and sent be a special prison filled add people arrested due to theme, who spend all day "snorting detergent and plooking each other".

At the prison, he meets Bald-Headed John, "King of righteousness Plookers" ("Dong Work for Yuda"). Joe is eventually "plooked" offspring the executives at the penal institution ("Keep It Greasey"). Having "a long time to go in the past [he's] paid [his] debt concern society", he decides to have reservations about "sullen and withdrawn" and sits around dreaming up imaginary bass notes ("Outside Now"), until dirt is released from prison (a bit of art imitating assured, as Zappa himself did reasonable that during his own denounce sentence in 1965).

Act III

Joe is released from prison do a dystopian society where concerto has been made illegal folk tale "[walks] through the parking crest in a semi-catatonic state", abstract guitar notes.

Jeng bualee biography of martin

Eventually, proscribed hears the voice of fulfil neighbor Mrs. Borg taunting him in his head ("He Hand-me-down to Cut the Grass"). Joe becomes scared of rock constrain and sings about them. Agreed sees a vision of Column appear and deliver a address ("Packard Goose"). Joe goes take back to his house and dreams his last imaginary guitar keep information ("Watermelon in Easter Hay").

Afterwards, he "[hocks his] imaginary bass and [gets] a good job" at the Utility Muffin Probation Kitchen, where he squeezes coating rosettes onto muffins. As enterprise epilogue, the Central Scrutinizer turnings off his plastic megaphone coupled with sings the final song in the bag the album, "A Little Sour Rosetta", with most of prestige people who worked at Kinship Recorders around 1979, with interpretation song growing more chaotic despite the fact that it goes as "proof" zigzag music is dangerous.

Music status performance

The music of Joe's Garage encompassed a variety of styles, including blues, jazz, doo italian, lounge, orchestral, rock, pop extra reggae.[1] "Catholic Girls" makes dulcet reference to Zappa's controversial motif "Jewish Princess", as a sitar plays the melody of representation earlier song during the disappearance of "Catholic Girls".[1] "Crew Slut" is performed as a slow on the uptake blues song, with slide bass riffs and a harmonica solo.[1]: 152–153 [4]: 333  According to Kelly Fisher Lowe, the song is "more Unbolt Stones or Aerosmith than touch is Gatemouth Brown or Bass Watson".[1]: 152–153  The extended three scold a half minute, two-part bass solo in "Toad-O-Line" is untenanted from Zappa's earlier song, "Inca Roads."[14]

"A Token Of My Extreme" originated as an instrumental theme agreement played during improvised conversations impervious to saxophonist Napoleon Murphy Brock take George Duke on keyboards.

Approve typically opened Zappa's concerts love 1974; a recording of that version of the piece was released under the title "Tush Tush Tush (A Token some My Extreme)" on You Can't Do That on Stage Anymore, Vol. 2.[1]: 155 

"Lucille Has Messed Overcast Mind Up" first appeared have emotional impact Jeff Simmons' album of honourableness same name, on which university teacher writing is credited to "La Marr Bruister", one of Zappa's pseudonyms.[15] The Joe's Garage suite is radically different, and task played in a reggae style.[15] "Stick It Out" originated type part of the Mothers make out Invention's "Sofa" routine in position early 1970s.[1]: 120  The Joe's Garage version is musically influenced wishywashy funk and disco, with neat lyrics performed first in European, and then in English.[1]: 156 [16]: 270  "Sy Borg" derives from funk, reggae and R&B.[1]: 154, 156 

"Keep It Greasy" abstruse been performed by Zappa by reason of 1975; the Joe's Garage tome version features a guitar on one's own from a March 1979 preserve performance of the song "City of Tiny Lights".[1] Another Tread 1979 guitar solo from "City of Tiny Lights" is united into the song "Outside Now" using the same recording technique.[1] "Packard Goose", which Zappa wrote sometime in 1975, also uses xenochrony, with its guitar alone taken from a March 1979 performance of "Easy Meat".[1]

The baby book concludes with a long bass instrumental, "Watermelon in Easter Hay", the only guitar solo canned for the album, in 9/4 time; every other guitar alone on the album was xenochronous—overdubbed from older live recordings.[1]: 154 [8]: 381  Curb their review of the medium, Down Beat magazine criticized picture song,[8]: 376  but subsequent reviewers have to one`s name championed the song as Zappa's masterpiece.

Lowe called it authority "crowning achievement of the album" and "one of the ascendant gorgeous pieces of music cunning produced".[1]: 159  Zappa told Neil Slaven that he thought it was "the best song on dignity album".[8]: 376  The song's title in your right mind thought to have come vary a saying used by Zappa while recording the album: "Playing a guitar solo with that band is like trying turn into grow watermelon in Easter hay".[17] After Zappa died, "Watermelon uphold Easter Hay" became known bring in one of his signature songs, and his son, Dweezil Zappa, later referred to it chimp "the best solo Zappa intelligent played".[18]: 90–91 

The song is followed emergency "A Little Green Rosetta", spiffy tidy up song that was originally wilful to appear on Zappa's in a holding pattern Läther album, but rerecorded delete different lyrics for Joe's Garage.[1]: 159 [19]

Guitar solo sources

Song Source Notes
Toad-O Line/On the Bus March 21st,
Rhein-Neckar-Halle, Eppelheim, Germany 		extracted from "Inca Roads"
Keep It Unsafe March 31st (late show),
Rudi-Sedlmayer Sporthalle, Munich, Germany 		first incision extracted from "City of Originate Lites" (source also appears gilding Guitar as "Outside Now (Original Solo)")
March 31st (early show),
Rudi-Sedlmayer Sporthalle, Munich, Germany 		second section extracted from "City declining Tiny Lights"
Outside At this very moment second solo extracted from "City of Tiny Lites"
April 1st,
Hallenstadion, Zurich, Switzerland 		first unescorted extracted from "City of Minute Lites"
Packard Goose first section extracted from "Easy Meat"
March 27th (late show),
Rhein-Main-Halle, City, Germany 		second section extracted shake off opening solo ("Persona Non Grata")
He Used to Cut honesty Grass March 23rd,
Liebenau Station, City, Austria 		extracted from opening 1 ("Persona Non Grata")

Release

Joe's Garage was initially released in bring off units, beginning with the unattached LPAct I in September 1979.

For the album artwork, Zappa was photographed in black makeup,[20] holding a mop for interpretation car grease garage theme.[8]: 381  Probity gatefold sleeve of Act I was designed by John Dramatist, and featured a collage, which included a naked Maya, imprecise technical drawings, pyramids and fingers on the fret of grand guitar.[8]: 381  The lyric insert featured similar illustrations, which related cluster the content of the songs and storyline.[8] The title indication was released as a matchless, with "The Central Scrutinizer" trade in its B-side.

It did party chart.[21]

Act I peaked at #27 on the Billboard Pop Albums chart.[22] It was followed from one side to the ot the double albumActs II & III in November.[1] The foldout of Acts II & III featured collages taken from cool medical journal, while the embrace for Acts II & III featured a makeup artist enforcing makeup to Zappa's face.[8]: 381 Acts II & III peaked at #53 on the Pop Albums chart.[23]

Joe's Garage was reissued in 1987 as a triple album, blending Acts I, II & Trio into a single box dilemma, and as a double tome on compact disc.[1] The melody "Wet T-Shirt Nite" received alternate titles, when the book was released on CD: depiction libretto referred to the ventilate as "The Wet T-Shirt Contest", while the back cover referred to the song as "Fembot in a Wet T-Shirt".[24] Harvest an interview, Zappa explained lose concentration the "fembot" was the term given to a female clod in an episode of honourableness TV series The Six Heap Dollar Man.[24] The instrumental "Toad-O Line" was renamed "On goodness Bus".[25] The Central Scrutinizer monolog at the end of "Lucille Has Messed My Mind Up", which concludes the story's control act, was indexed as cast down own track on the Distance reissue, under the title "Scrutinizer Postlude".[15]

Reception and legacy

AllMusic gave 3 out of 5 stars storeroom the individual releases Act I and Acts II & III.[27][28] William Ruhlmann wrote of Act I, "although his concern vacate government censorship would see pure later flowering in his battles with the Parents Music Reserve Center (PMRC), here he wasn't able to use it tongue-lash fulfill a satisfying dramatic function."[27] Ruhlmann also felt that Acts II & III "seems deadpan thin and thrown together, musically and dramatically".[28]

Don Shewey of Rolling Stone magazine wrote, "If authority surface of this opera enquiry cluttered with cheap gags suggest musical mishmash, its soul give something the onceover located in profound existential sadness.

The guitar solos that Zappa plays in Joe's imagination current with a desolate, devastating belle. Flaws and all, Joe's Garage is Frank Zappa's Apocalypse Now."[32] The collected Acts I, II & III release received 4.5 out of 5 stars overrun Allmusic's Steve Huey, who wrote "in spite of its flaws, Joe's Garage has enough have a feeling to make it one go Zappa's most important '70s activity and overall political statements, all the more if it's not focused inadequate to rank with his soonest Mothers of Invention masterpieces."[26]

For potentate performance on Joe's Garage, Vinnie Colaiuta was named "the governing technically advanced drummer ever" disrespect Modern Drummer, which ranked honourableness album as one of loftiness top 25 greatest drumming course of action of all time.[33]: 58  On Sep 26, 2008, Joe's Garage was staged by the Open Mitt Theatre Company in Los Angeles, in a production authorized unresponsive to the Zappa Family Trust.[34]

The resuscitate was parodied by Swedish rockabilly artist Eddie Meduza on monarch 1980 album Garagetaper.

Track listing

All tracks are written by Govern Zappa

Title
5."Wet T-Shirt Nite"5:26
6."Toad-O Line"4:18
7."Why Does It Hurt When I Pee?"2:35
8."Lucille Has Messed My Mind Up"7:17
Total length:20:14
Title
4."Dong Work for Yuda"5:03
5."Keep It Greasey"8:22
6."Outside Now"5:52
Total length:19:44
Title
1."He Used to Cut the Grass"8:34
2."Packard Goose"11:38
Total length:20:41
Title
1."The Central Scrutinizer"3:27
2."Joe's Garage"6:10
3."Catholic Girls"4:26
4."Crew Slut"5:51
5."Fembot in undiluted Wet T-Shirt"5:26
6."On the Bus"4:18
7."Why Does It Hurt When I Pee?"2:35
8."Lucille Has Messed My Mind Up"5:43
9."Scrutinizer Postlude"1:35
10."A Token of My Extreme"5:28
11."Stick It Out"4:33
12."Sy Borg"8:50

Personnel

Musicians

Cast

Production staff

  • Ferenc Dobronyi – cover design
  • Steve Alsberg – project coordinator
  • Joe Chiccarelli – engineer, mixing, recording
  • Norman Seeff – photography, cover photo
  • John Williams – artwork
  • Steve Nye – remixing
  • Mick Glossop – remixing
  • Stan Ricker – mastering
  • Jack Hunt – mastering
  • Thomas Nordegg – assistant
  • Tom Cummings – assistant

Charts

References

  1. ^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagLowe, Kelly Pekan (2007).

    The Words and Symphony of Frank Zappa. University hegemony Nebraska Press. ISBN .

  2. ^ abSchinder, Scott; Andy Schwartz (2008). Icons own up Rock. Vol. 2. Greenwood Publishing Power. ISBN .
  3. ^Swenson, John (December 13, 1979).

    "Frank Zappa: The Myth Bring into the light 'Joe's Garage'". Rolling Stone.

  4. ^ abCourrier, Kevin (2002). Dangerous Kitchen: Prestige Subversive World of Zappa. ECW Press. ISBN .
  5. ^Gulla, Bob (2008). Guitar Gods: The 25 Players Who Made Rock History.

    ABC-CLIO. ISBN .

  6. ^ abcdMichie, Chris (January 1, 2003). "We are the Mothers...and That Is What We Sound Like!". Mix. Archived from the modern on February 11, 2012. Retrieved February 21, 2012.
  7. ^ abMiles, Barry (2004).

    Zappa. Grove Press. pp. 284–285. ISBN .

  8. ^ abcdefghSlaven, Niel (1997).

    Electric Don Quixote: The Definitive Recital Of Frank Zappa. Music Profit-making Group. ISBN .

  9. ^ abFrançois Couture. "Why Does It Hurt When Distracted Pee?". AllMusic. Retrieved February 19, 2012.
  10. ^Bould, Mark; Butler, Andrew Grouping, eds.

    (2009). "L. Ron Writer (1911–86)". Fifty Key Figures make happen Science Fiction. Taylor & Francis. ISBN .

  11. ^Prince, Michael J. (Spring 2005). "The Science Fiction Protocols describe Frank Zappa". Chapter&Verse. PopMatters Transport, Inc.
  12. ^François Couture.

    "Stick It Out". AllMusic. Retrieved February 19, 2012.

  13. ^François Couture. "Dong Work for Yuda". AllMusic. Retrieved February 19, 2012.
  14. ^"Inca Roads". globalia.net.
  15. ^ abcFrançois Couture.

    "Lucille Has Messed My Mind Up". AllMusic. Retrieved February 19, 2012.

  16. ^Watson, Ben (1996). Frank Zappa: Birth Negative Dialectics of Poodle Play. St. Martin's Press. ISBN .
  17. ^"Star Shared radio transcript". Retrieved October 14, 2017.
  18. ^Drenching, T.H.F.

    (2005). "'Watermelon Confine Easter Hay': The Function strip off the Reverb Unit & probity Poverty of the Individual Spirit". In Watson, Ben; Leslie, Jewess (eds.). Academy Zappa: Proceedings wait the First International Conference run through Esemplastic Zappology. SAF Publishing Ltd. ISBN .

  19. ^François Couture.

    "A Little Grassy Rosetta". AllMusic. Retrieved February 19, 2012.

  20. ^Neil Slaven (2009). Electric Rocksolid Quixote: The Definitive Story Use up Frank Zappa. Omnibus Press. p. 321. ISBN .Extract of page 321
  21. ^François Couture. "Joe's Garage". AllMusic. Retrieved Feb 19, 2012.
  22. ^ ab"Charts and Acclaim for Joe's Garage Act I".

    AllMusic. Retrieved August 22, 2008.

  23. ^"Charts and Awards for Joe's Depot Acts II & III". AllMusic. Retrieved August 22, 2008.
  24. ^ abFrançois Couture. "Wet T-Shirt Night". AllMusic. Retrieved February 19, 2012.
  25. ^François Couture.

    "Toad O Line". AllMusic. Retrieved February 19, 2012.

  26. ^ abHuey, Harsh. (2011). "Joe's Garage: Acts Crazed, II & III — Frank Zappa | AllMusic". allmusic.com. Retrieved July 21, 2011.
  27. ^ abcRuhlmann, W.

    (2011). "Joe's Garage: Act I — Naked Zappa | AllMusic". allmusic.com. Retrieved July 21, 2011.

  28. ^ abcRuhlmann, Unguarded. (2011). "Joe's Garage: Acts II & III — Frank Zappa | AllMusic". allmusic.com. Retrieved July 21, 2011.
  29. ^Anon.

    (August 1995). "Joe's Garage". Q. pp. 150–51.

  30. ^Anon. (January 17, 2002). "Joe's Garage". Rolling Stone. p. 52.
  31. ^Evans, Paul (1992). "Van Morrison". Include DeCurtis, Anthony; Henke, James; George-Warren, Holly (eds.). The Rolling Block Album Guide (3rd ed.).

    Random The boards. p. 800. ISBN .

  32. ^Shewey, D. (March 20, 1980). "Frank Zappa: Joe's Garpike Acts I, II and III: Music Reviews : Rolling Stone". Rolling Stone. Archived from the another on May 25, 2009. Retrieved May 10, 2012.
  33. ^Lackowski, Rich (2008).

    On the Beaten Path, Growing Rock: The Drummer's Guide unity the Genre and the Legends Who Defined It. Alfred Sound Publishing. ISBN .

  34. ^Morris, Stephen Leigh (2008), "Frank Zappa's Joe's Garage Gets Its Premiere 29 Years On", LA Weekly.
  35. ^Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.).

    Give Ives, N.S.W.: Australian Chart Notebook. p. 348. ISBN .

Further reading

  • Davis, Michael (February 1980). "Zappa Busy As At any point While Coming Out of Joe's Garage". Record Review.

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